Pia Salzer is an illustrator
from Nuremberg with love
for everyday aesthetics.
shit habits is anything but a classic guide. Rather, the zine serves as inspiration and as a food for thought to question your own habits in everyday life to change them on your own initiative. The illustrations were created on the basis of numerous discussions and research on topics such as ecological economy, global warming and sociology.
Zine, Bachelor Thesis, March 2020
shit habits is anything but a classic guide. Rather, the zine serves as inspiration and as a food for thought to question your own habits in everyday life to change them on your own initiative. The illustrations were created on the basis of numerous discussions and research on topics such as ecological economy, global warming and sociology.
Zine, Bachelor Thesis, March 2020
Venus 2000 for 1000 Plakate für Nürnberg, 2020
Donald Arschgesicht, 2020
Kitchen Panorama, 2020
VINTY`S Summer, 2019
Melons, 2018
Kulturoasis e.V. Visual Lettering, 2020
Rios Can, 2020
Moldau Quartett, Poster, 2020
FCKNZS, 2020
Girlscrowd, 2019
Summer Wein, 2020
Lifegoals3000, 2019
Kulturoasis e.V. Keyvisual, 2020
Friends Forever, 2020
SÜD'N Coverillustration, 2019
The Tomorrow is Monday, 2019
Simons Coffee Pot, 2020
Imposotor Plant, 2019
Troublepress, 2018
Spring Afternoon, 2019
Cafe Maximilian, 2019
Lemonbag, 2019
Plant, 2018
Girl with Glasses, 2019
Selflove, 2018
Frida Kahlo, 2018
Lighted Flower, 2018
Venus 2000 for 1000 Plakate für Nürnberg, 2020
Donald Arschgesicht, 2020
Kitchen Panorama, 2020
VINTY`S Summer, 2019
Melons, 2018
Kulturoasis e.V. Visual Lettering, 2020
Rios Can, 2020
Moldau Quartett, Poster, 2020
FCKNZS, 2020
Girlscrowd, 2019
Summer Wein, 2020
Lifegoals3000, 2019
Kulturoasis e.V. Keyvisual, 2020
Friends Forever, 2020
SÜD'N Coverillustration, 2019
The Tomorrow is Monday, 2019
Simons Coffee Pot, 2020
Imposotor Plant, 2019
Troublepress, 2018
Spring Afternoon, 2019
Cafe Maximilian, 2019
Lemonbag, 2019
Plant, 2018
Girl with Glasses, 2019
Selflove, 2018
Frida Kahlo, 2018
Lighted Flower, 2018